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Free Ebook Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi

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Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi

Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi


Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi


Free Ebook Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi

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Heart of the Brush: The Splendor of East Asian Calligraphy, by Kazuaki Tanahashi

Review

"Heart of the Brush is many things, and all of them astonishing: a rich historical compendium; a subtle object of contemplation; an inspiring instructional manual; a profound spiritual practice; a true artist’s testament; a stunning work of art. And it's become a companion, as well. The book now lives on my work table, and every morning I turn at random to a different character, taking a moment to study the form and meaning, and then letting it inspire me throughout the day."—Ruth Ozeki, author of Tale for the Time Being“I have always felt the power of a single ideograph by a master hanging in a zendo, but I understood little else.  This book is a gift, illuminating the approach, the meaning, the possibility, the actor and the action; the stroke, the mark, the dancer and the dance.  We become rooted in calligraphy's history and then carried beyond that--smack into the present moment. Kaz Tanahashi and his work are a transcultural treasure.”—Natalie Goldberg, author of Writing Down the Bones and The Great Spring"There are several books on how to do East Asian calligraphy, but Heart of the Brush by Kazuaki Tanahashi is clearly the best. His explanations are clear and lively, his multitude of brushwork examples are thorough and generous, and he demonstrates how to do each character stroke by stroke. In addition, he makes the availability of different scripts an exciting opportunity rather than an overwhelming burden. In effect, Tanahashi invites us into many aspects of the dynamic and wide-ranging world of calligraphy, and we can understand why it has been considered the highest of all art forms."—Stephen Addiss

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About the Author

KAZUAKI TANAHASHI is an accomplished Japanese calligrapher, Zen teacher, author, and translator of Buddhist texts from Japanese and Chinese to English, most notably works by Dogen. He first met Shunryu Suzuki in 1964, and upon reading Suzuki's book Zen Mind, Beginner's Mind he stated, "I could see it's Shobogenzo in a very plain, simple language." He has helped notable Zen teachers author books on Zen Buddhism, such as John Daido Loori. A fellow of the World Academy of Art and Science, Tanahashi is also an environmentalist and a peace worker.

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Product details

Paperback: 400 pages

Publisher: Shambhala (February 2, 2016)

Language: English

ISBN-10: 1611801346

ISBN-13: 978-1611801347

Product Dimensions:

7 x 1 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#115,829 in Books (See Top 100 in Books)

Don't get me wrong, this is an excellent book; however, the problem for beginners is learning how to position the brush and when to apply pressure and when to let up. The sequential diagrams in this book are a good attempt at illustrating these problems in a static form. Unfortunately, beginners need to watch someone who knows what they're doing to get a real idea of how to finesse the brush. A class is better for the beginner, as long as the instructor is competent. Unfortunately all of the instructional DVDs I have seen are in Chinese. Perhaps YouTube has something. I was lucky enough to take a course from an experienced teacher and it made all of the difference.

This new calligraphy book is extremely helpful. The front section has explanations on how to form the various types of strokes, step by step. The rest of the book contains single characters, each with a two-page spread. The steps for forming the character are shown, along with beautifully executed examples (in various scripts), definitions, pronunciation, etc.The layout is excellent for daily practice--just open to any page that inspires you, and paint that character. At the end of the book there is a discussion of the art of calligraphy. Finally there is an index of radicals and compounds. As a beginner trying to learn without access to a teacher, I find this book the most useful one I've encountered so far.

I have attempted to use other sources for learning the art of Asian calligraphy; however, this is by far the very best by one of the most outstanding scholars of Zen culture. Tanahashi provides elegant formal, semi cursive, and cursive examples of 150 important Chinese and Japanese ideographs for the student to render. The author is very encouraging to those who undertake this art. It takes a good deal of concentration and awareness of the moment. Rather than encourage goal orientation, Tanahashi suggests that the task leads the artist to deepen her/his life. In time, working with these ideographs you can touch your creative abilities.

Overall the book provides good instructions and explanations for getting started. A video might be helpful, but the brush stroke diagrams are pretty self-explanatory.The only issue I have are the samples starting at page 316 deteriorate or did not get printed in the book properly. From the images you can see that there is a good example of the completed character, and then when you hit page 316, the samples look like the character was zoomed in too much and then only partially fit into the book.

I bought this for my granddaughter who loves drawing and wanted to do different kinds of calligraphy. Good choice!

The author provides resources to explore the chinese calligraphy world. Ideograms are shown with different pronunciations (mandarin, japanese, korean, vietnamese).

I am buying another one to give as a gift. Highest praise I can give the author.

Best buy!

This is my learning book. I often return to it when I’m having trouble with a particular stroke.

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